Category Archives: Civilization

California Here He Comes

Okay ya’ll, listen up. In not too long an hour I leave for San Francisco, and by this time tomorrow I will be snug in the womb of Mission, no doubt suckling at a maté and swaddled in soft cloths of florescence. Indeed, such will kick off a two-month pilgrimage back to my beloved west coast, and I intend to greet the Pacific with a roiling fury heretofore unknown by its vast depths.

Upon my back I carry three books, three of my favorites, which set the proper rhythm for this grand excursion. One, Hunter S. Thompson’s Fear and Loathing in Las Vegas, written in a brilliant prose that one day I hope to emulate, if not the drug-wild carnage that lent to its inception.

Two, John Hodgman’s The Areas of My Expertise, a champion of creativity and invention that has given more to the imagination than anything of late.

“I am not romantic about squirrels.”

Aye, lad. Nor am I. Nor is anyone, for that matter. But a good point to clear up, nevertheless.

Finally, The Dharma Bums, notable as Jack Kerouac’s best work. Yes. I still call bullshit on On the Road, even after reading it three times and despite the accolades layered upon it.

However. I am ashamed that I left my copy of Richard Brautigan’s Trout Fishing in America back in Indiana, and I feel that somehow my San Francisco experience will be incomplete without such a cultural field manual. No matter. I am certain that the San Francisco Public Library has at least a hundred copies and an entire wing named after the author. All I need to secure a copy is a prescription from a doctor with questionable credentials, and the brilliant spoils from one of the city’s many LSD dispensaries.

It’s been said before but it’s worth saying again.

It will be a lovely summer.

Your Online Banking System Can Go To Hell

online-statements

Dear Online Statements,

I have paper records that go back ten years. Ten years. These records do not expire. You propose that I enroll in a “convenient” system that forgets my records after a mere 18 months. If I want to access records older than that you will charge me a fee and send them via U.S. mail, which is what you were doing in the first place.

If your online system is so “secure” why can’t you entrust it with more than 18 months worth of records? If it is so “convenient” why does it do a worse job of managing my account history than I do?

This is supposed to sound compelling why?

Regards,
Dane

P.S. If you ever again mention the “greenness” of online statements versus mailed statements, so help me god I will claw out your throat. There is nothing green about a server farm that needs to run white-hot 24 hours a day, seven days a week, to allow me “access” to my “statements” whenever I “want”.

I’ll tell you what’s green and convenient, and it’s a fucking file cabinet.

Objects are larger than they appear.

I’m not sure if I’ve been able to effectively communicate the scale of the operation witnessed during our visit to the Farmersburg Coal Mine. Through the magic of Google Maps, I will now whisk you away to a land of enchantment and heavy machinery.

This view shows piles of coal on the north side of the mining operation, waiting to be loaded onto the train:


View Larger Map

This shows the section that is currently being mined. This area will be largely depleted within the next few months, and then they will walk (yes, walk) the dragline cross-country to a new location:


View Larger Map

We’re beginning to zoom in on the dragline:


View Larger Map

Here we see the dragline up close. The tiny vehicle to the southeast of it? Yeah, that’s a pickup truck:


View Larger Map

Sadly, there is no Google Street View available.

Coal is a local resource.

On Saturday Kate and I tagged along with the Indiana University Geology Club, and went on a guided tour of the Farmersburg Coal Mine. I spent much of last semester developing WattBot, a design argument that is decidedly opposed to the usage of coal for electricity, but it was impossible to walk away from this operation without being impressed.

The jewel of the tour was the Bucyrus-Erie 2570-W dragline, an enormous crane-shovel hybrid with a bucket the side of a bus, and a mechanical unit the size of an office building. They use this machine to remove overburden, a word that means “everything that stands between you and the coal seam.”

Approaching the Dragline

We got to step up into the dragline as it was in operation, and watch as Russ gracefully dug holes with a bucket that weighs 253,000 pounds when empty.

Dragline Bucket

I could go on, but I lack the words to describe the sheer scale of this machine. Rather, check out the videos below.

This is from the cockpit of the dragline:

This is a walking tour of the machine room. The dragline runs completely on electricity, and as we staggered through it we were constantly being buffeted by hot blasts of air. The two coils of cables are the boom drum and the drag drum, which control the bucket. Don’t miss the grill, which was cooking a hearty soup:

In this shot we’re outside, between the booms. That tiny yellow vehicle on the left, just beyond where the dragline is dumping its load? Yeah, that’s a full-sized bulldozer:

Finally, here’s an overview of the controls, should you ever find yourself in a cinematic situation where the fate of mankind depends on your secret dragline skills:

Fine Dining in Bingen

Question: Which of the following dinners would win in a fight?

A. Ranch Corn Nuts and a hot and spicy beef stick.
B. Dasani raspberry-flavored bottled water and Chex Mix.
C. Spicy chicken burrito, a forty of Pabst Blue Ribbon, and a Swisher Sweet.

The answer is C. The answer is always the forty.

Social Hygiene

The other day, Kate and I were discussing the difference between a “tool” and a “douche bag”. It is a subtle but important differentiation, and we came up with the following guide. We hope you find it helpful, and failing that, offensive.

Tool: Drives a champagne Lexus LX with gold trim.
Douche Bag: Drives a black Cadillac Escalade with gold trim.

Tool: Wears one polo shirt with one popped collar.
Douche Bag: Wears two or more polo shirts with one or more popped collars.

Tool: Tries to network with you at a party.
Douche Bag: Tries to network with you at a funeral.

Tool: Working on a Web 2.0 social networking application.
Douche Bag: Working on a Web 2.0 social networking application that will be the next Facebook/MySpace/YouTube.

Self-Interest

As a society, we have a moral imperative to protect the cultures of indigenous tribes such as this one, heretofore unmolested by the modern world. For if we do not preserve their unique languages, where will our next crop of great domain names come from?

The Gallery of The Awesome II

I have journeyed far and wide of late, from the hot and dusty reaches of eastern Washington to the harshly lit bowels of Wal-Mart. In these journeys I have seen Things, Great and Amazing Things that Thrill the Senses. The incredibility I have seen is such that it is worth another visit, yes, a return of sorts, to The Gallery of The Awesome.

Some of this may be new to you, some may be downright frightening, but I recommend you stay with us until the end, keeping your hands and feet inside the car at all times.

This post card can be found outside the office of one of Kate’s favorite geology professors. It goes without saying how he feels about dams:

Place Explosives Here

In case there is any question, here’s the door to his office:

Bob Carson's Door

He will retire soon, and when he does the school will need to buy a new door.

Here we see a sign for the Bing Bang Blow Out Sale, which is happening right now at the independent record shop in Walla Walla:

Bing Bang Blow Out Sale

Actually, this sign has been in their window ever since Kate was a prospective student for Whitman College, five long years ago. It is likely a nod to the song “Witch Doctor” by David Seville, with its chorus line all “walla walla bing bang” and such. The shop boasts what is hopefully eastern Washington’s largest collection of VHS tapes and 8-tracks, despite having been blowing them out for the last five years. Say, what the hell kind of independent record shop is this?

Hot Poop

That’s right. The shop is named Hot Poop. Right there in downtown Walla Walla. Bing Bang. Judging by the number of Zappa posters in the window, I would bet it’s named after the Frank Zappa song of the same name. Based on Zappa’s character, as well as the degree of censorship that the album apparently experienced, I’m willing to bet that Frank didn’t want the song to be named “Hot Poop” at all, but rather “Hot Shit.” Ironically, the phrase “hot poop” is far more disgusting and offensive than “hot shit.”

Speaking of shit:

Squirrel Feeder

The above is a Premium Eastern Red Cedar Squirrel Feeder, available at Wal-Mart. Unless those wood screws are intended for permanently mounting the squirrel to the platform, this feeder is far more humane than the electric squirrel feeder that my father invented:

Electric Squirrel Feeder

Actually, it’s a bird feeder that he’s rigged up in such a way to discourage squirrels from draining it on a daily basis. It plugs directly into a regular wall outlet. He added the 60 watt light bulb so that when a squirrel completes the circuit, the bulb would take out a lot of the current and not cook the squirrel. Even so, there’s still a lot of squirrel poop all around this thing.

Speaking of unfortunate surprises, the Hood River Hotel features fine dining and vintage charm. How fine, and how vintage, you may ask? Here we see the worst table in the joint:

The worst table in the joint.

Speaking of vices, here we witness a grim milestone:

Grim Milestone

A gallon of gas costs nearly as much as a pack of Marlboros! Speaking of gas, these beautiful turtle figurines are available at the gas station near the Hood River Bridge:

I mean really.

Either a poor artist somewhere has a great sense of humor despite living in wrenching poverty, or the turtle’s likeness to a wrinkly penis happened completely by accident.

Last, but certainly not least, Dr. Bronner called. He wants his superlatives back:

SUPERthrive

I hope that this packaging has won design and typography awards the world over. In an effort to keep your eyes from melting, I have transcribed the top portion for you:

#1 PLANT HEALTH EXTRA LIFE
Greatest Guarantee-Offer PROOF Ever
67 YEARS, unchallenged, $5,000. GUARANTEED to be
World CHAMPION
#1 ACTIVATOR, #1 REVIVER, #1 Trans/PLANTER, #1 Extra GROWER, #1 PERFECTER
WORLD’S FAIR SCIENCE-MEDAL-WINNING
SUPERthriveTMs 50 IN ONE
VITAMINS-HORMONES

Those are some bold claims. I don’t know whether to give it to my plants or pour it on my turtle.

Familiar

It’s been over a week since I watched Into The Wild, and the convolutions of my brain are still busy processing it. I was prepared to be consumed by a brilliant fire of jealousy, but in the end I was completely blindsided by the familiarity of the story. The parallels between our journeys, our desires to seek out new adventures, I realized that the differences between our individual experiences were only a matter of degree.

I am drawn to the story of Christopher McCandless not because it represents the extreme, but because it represents the familiar. As Krakauer states in his foreword, “…were it not for one or two seemingly insignificant blunders, he would have walked out of the woods in August 1992 as anonymously as he had walked into them in April.” Though our paths were different, I believe McCandless and I pursued them for similar reasons, with similar philosophies and a similarly intense passion for life.

When they showed Emile Hirsch traveling through the Pacific Northwest, tromping around Sahalie Falls and McKenzie Pass, I felt a slight tinge as my life twisted in and amongst this work of fictionalized non-fiction. These are all places that I myself have visited, and at times while watching the movie it felt as though I was witnessing my own journey through the landscape.

While I haven’t enjoyed nearly the hardscrabble life as McCandless, I do have friends scattered throughout the world who are living out similar experiences. From squatting at Camp 4 and sneaking half-eaten meals from tourists, to shoveling snow at the South Pole, to spending a sleepless month exploring Alaska, my friends make it clear that McCandless is not alone in giving his middle finger to conventional living.

I’m currently rereading Into The Wild, and I find that Krakauer paints the story in a very eerie, very chilling light. In the movie, Sean Penn has made a great effort to capture that passion for life, that mighty yawp of existence that all who knew McCandless say he possessed. To that end, what Eddie Vedder has done is magic in its purest form, and the soundtrack for Into The Wild resonates to the very marrow of my soul.

Load-Bearing

After finishing some client work this evening I intended on watching Into The Wild, which just arrived from Netflix. For ten years it has been one of my favorite books (its challengers include Fear and Loathing in Las Vegas and The Rand McNally U.S. Road Atlas) and I have to admit I was a little bit apprehensive to watch the movie.

My nerves about it are prickly not because of the usual “OMG they better not ruine mine favorite Book!!1!” but because I’m afraid of what I might find out about myself. You see, aside from the whole “starving to death in the wilderness” thing (which I’ll admit has a fair amount of romance to it), I want to be Alexander Supertramp.

At least, I used to want to.

Or do I still?

My post-collegiate path has been a winding one, both of place and of being. The spring I graduated from college I skipped my graduation ceremony so I could leave Minnesota and start driving to Oregon just one day sooner. I loaded up all my worldly possessions in the Green Dragon Wagon, not knowing if I would be gone for three months or three years. In the end, I worked as a windsurfing grunt until I ran out of summer, a snowboard instructor until I ran out of unbroken legs, and a web designer until I ran out of Vicodin.

I stayed in Oregon for two years and lived in two towns, moving back and forth between them until I moved back to Minnesota to work as a wilderness guide. I took an eight-day Wilderness First Responder course. I met someone lovely. I spent three months growing a beard and living in the woods. That fall, my reintroduction to civilization involved getting choked up over such amenities as toothpaste and ice water.

The following summer I did it all again, only this time I was joined by someone lovely. I grew a beard. I stomped through Yellowstone for twenty days with five guys and three mohawks. That fall I moved back to Oregon as my love traveled all over the Western United States, living outside and learning about land rights and trying not to freeze to death. We reunited that December, though she was kind of freaked out that I had shaved my beard.

For 1 1/2 years now I have been planted in Hood River, working with the intertubes, kiteboarding during the summer, snowboarding during the winter, and occasionally visiting Walla Walla for some reason or another. In four months Kate and I will be moving across the country to attend graduate school at Indiana University, she to study environmental policy and me to study interaction design. After finishing my program I want to be involved in some Pretty Big Shit in my industry, which likely means I will no longer be taking three months off at a time to guide trips or teach snowboarding or fret about not having work during those unfortunate “in between” seasons.

Aye, and there’s the rub.

Part of me thinks that I’m ready to move on from this lifestyle. Another part of me fears that for all these nomadic experiences, for all this living in the outdoors, I have still managed to miss something, some hidden meaning. This elusive nugget of truth drove Christopher McCandless in his travels, and is what gave rise to Alexander Supertramp. I’m certain that Christopher would agree with me when I say that the logical conclusion of this journey is something besides starving to death in the backcountry of Alaska. What it is, however, I haven’t figured out yet.

I’ve changed a lot over the last five years, especially over the last two, and I’ve noticed my nagging sense of wanderlust begin to fade. With it I fear my curiosity goes as well, my unconventionalism, my identity. I speak of piling all my furniture on the front lawn and burning it, and people laugh as though I speak in hyperbole. I do, to be sure. But for me, owning more stuff than will fit in my car is painfully embarrassing, every bookcase and file cabinet a trophy to defeat. I have lost my mobility, but I have gained… what, a sofa? A coffee table? These are changes I have not been dealing with well.

It was in this context that I started to watch Into The Wild.

I got as far as the DVD menu. I watched it loop a dozen times. My vision blurred and my chest tightened. A dozen times Christopher burned his money, hitchhiked to Alaska, grew a beard, and posed in front of the bus.

I turned off my television.